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    <loc>https://www.operainnovation.com/oi-insights</loc>
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    <lastmod>2025-09-10</lastmod>
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    <loc>https://www.operainnovation.com/oi-insights/tenor-lawrence-brownlees-moscow-cancellation-is-good-risk-management</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-10</lastmod>
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      <image:title>OI Insights - Tenor Lawrence Brownlee's Moscow cancellation is good risk management - Make it stand out</image:title>
      <image:caption>OperaWire was on this story from the start. Follow them across social and visit OperaWire.com</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/kennedy-center-thoughts-from-grammy-winning-librettist-mark-campbell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/e571ba5d-144c-4619-bbb0-c5e64713d22a/trumpkennedycenter_031725.jpeg</image:loc>
      <image:title>OI Insights - Kennedy Center thoughts from Grammy-winning librettist Mark Campbell - Make it stand out</image:title>
      <image:caption>President Donald Trump attends a board meeting at the John F. Kennedy Center for the Performing Arts in Washington, Monday, March 17, 2025. (Pool via Associated Press)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/76faff53-0e55-4fa7-aa9d-26f743b1b99c/IMG_2515.jpeg</image:loc>
      <image:title>OI Insights - Kennedy Center thoughts from Grammy-winning librettist Mark Campbell - Cartoon by Jack Ohman for Tribune Content Agency, February 12, 2025.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/fde67c6c-f1ee-4169-8dfe-1f22c0cf402e/The-Revolution-of-Steve-Jobs_WNO_photo-by-Scott-Suchman-4.jpeg</image:loc>
      <image:title>OI Insights - Kennedy Center thoughts from Grammy-winning librettist Mark Campbell - Photo by Scott Suchman. Watch Washington National Opera’s sizzle reel for The (R)evolution of Steve Jobs here.</image:title>
      <image:caption>Photo: Scott Suchman. Watch a 2025 sizzle reel of the WNO production here.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.operainnovation.com/oi-insights/co-branding-with-fascism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/b823cf48-ae45-49cf-8661-823d786e4a03/Barry+Blitt.jpeg</image:loc>
      <image:title>OI Insights - Co-branding fascism - Make it stand out</image:title>
      <image:caption>Barry Blitt’s Sketchbook | Air Mail Weekly | January 18, 2025</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/maria-for-your-considertion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/a08c3e54-9071-4f2f-a036-a4100b5aa89c/6D665529-8B31-40AC-8317-914BAB5AE34D.jpeg</image:loc>
      <image:title>OI Insights - ''Maria" for your consideration - Make it stand out</image:title>
      <image:caption>Angelina Jolie as Maria Callas. A pivotal moment in Maria, Pablo Larraín's reimagining of La Divina’s final days in Paris. Watch now on Netflix.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/san-francisco-symphony-please-repair-your-brand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/2779bd32-f146-40ca-9e41-6f248bdb5613/IMG_0379.jpg</image:loc>
      <image:title>OI Insights - San Francisco Symphony CEO and Board Chair: Please repair your brand or resign - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/when-la-voix-humaine-met-dido-amp-aeneas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/94b0d4e8-50f4-414a-905b-926a03e721fe/Kindra%2BScharich%2BHeadshot.jpg</image:loc>
      <image:title>OI Insights - When Worlds Collide: La voix humaine meets Dido &amp;amp; Aeneas</image:title>
      <image:caption>From Kindra Scharich, soprano:  Portraying the iconic character of Dido in Purcell’s "Dido and Aeneas" is a deeply introspective journey. Dido, the Queen of Carthage, embodies strength, vulnerability, and unwavering passion. As she navigates the tumultuous waters of love and betrayal, her character experiences profound emotional highs and devastating lows. Through Dido, we delve into the depths of human emotion, exploring the complexities of desire, duty, and ultimately, acquiescence. In Festival Opera’s captivating production, I am honored to share the stage with a cast of supremely talented artists, all under the artistic directorship of Zachary Gordin and creative vision of director Céline Ricci. Each of these artists brings their own unique voice to this cherished operatic masterpiece.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/e723fe25-c63f-4556-b7e5-cc633770a40d/Gordin+Press+Photo_JPG.jpg</image:loc>
      <image:title>OI Insights - When Worlds Collide: La voix humaine meets Dido &amp;amp; Aeneas</image:title>
      <image:caption>From Zachary Gordin, General Director The importance of these two operas, La voix humane/Dido &amp; Aeneas cannot be understated -  both musically and dramatically. Though they span a time period of 270 years in their composition, the gripping drama and gorgeous music they both embody give our audiences something meaningful and deeply connected to experience. In my mind, Elle (La voix) has a dream, a dream of love and connection which doesn’t come to fruition. As she goes through the process of hoping and pressing her nameless lover to return she slips away into the dream of Dido &amp; Aeneas. In Dido we see another potential love match gone awry. Aeneas begins as the quintessential hero, both in form and in attitude, but a mighty Sorceress and her coven have other plans for the royal couple. As Elle dreams, her own experience is underscored in Dido’s loss and eventual lament. I’m thrilled to bring this production to our audience and will relish with great pride the musical and dramatic excellence this cast/chorus/orchestra will lend to the work. Conducting Dido from the harpsichord will be a treat for me, returning to my baroque roots on a harpsichord I rebuilt specifically for this production.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/7099f43b-c89e-40fa-b65e-cfcd6bc0f1ec/FO_DoubleBill_POSTER_002.png</image:loc>
      <image:title>OI Insights - When Worlds Collide: La voix humaine meets Dido &amp;amp; Aeneas - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/19459529-1ee7-454a-8ea3-12115762cd9a/1554291292_Celine__Ricci.jpg</image:loc>
      <image:title>OI Insights - When Worlds Collide: La voix humaine meets Dido &amp;amp; Aeneas</image:title>
      <image:caption>From Céline Ricci, Director:  I am thrilled to direct two significant works where women are central characters, embodying complexity and depth beyond superficial portrayals. Both Purcell's Dido and Aeneas and Poulenc's La voix humaine offer rich, multifaceted female protagonists whose journeys culminate not simply in reaction to male characters, but as a profound result of their life arcs and personal experiences. In Dido and Aeneas, Dido’s story is not merely about her love for Aeneas but about her role as a leader and the weight of her responsibilities. Her eventual demise is a tragic end brought on by the compounded pressures of love, duty, and destiny, showcasing her strength and vulnerability. It’s a portrayal that invites the audience to empathize with her as a powerful, yet profoundly human, figure navigating her path. Similarly, in La voix humaine, the woman’s struggle is not just about the loss of a lover, but about the intense isolation and emotional turmoil she faces in the modern world. Her monologue through the phone reveals layers of her psyche, her resilience, and her ultimate fragility. It’s a testament to the strength required to confront one’s deepest emotions and the profound impact of loneliness. As a female director, it is immensely rewarding to explore these nuanced characters and present them as the strong, complex individuals they are. They do not succumb simply because of a man; their choices and ultimate fates are shaped by a lifetime of experiences, societal expectations, and internal conflicts. This perspective allows for a richer, more empathetic portrayal that honors their full humanity, and I am excited to bring this depth to the stage, challenging audiences to see beyond traditional, superficial narratives. Both operas delve into themes of love, loss, and despair through intense emotional narratives. While they differ significantly in their historical context, musical style, and structure, both operas effectively convey the deep psychological and emotional experiences of their central characters. Also, the central characters experience profound isolation and a sense of abandonment. Dido faces abandonment and isolation from the beginning of the opera, even before Aeneas’ arrival, while in voix, the woman confronts the end of her relationship during a solitary phone call. While Dido &amp; Aeneas is not a monodrama, much of the emotional weight is carried by Dido’s character, similar to how the solo performance of the woman in La voix humaine carries the entire emotional arc of the opera. Both works conclude with tragic endings driven by the central characters' emotional turmoil. Dido's lament culminates in her suicide, and Poulenc’ woman is left in a state of emotional collapse, with implications of potential self-harm.</image:caption>
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  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/opera-disrupter-haus-of-shmizzay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331010208-59W9LHXB2CJOO674OF42/440977927_997109605189392_7446398422590126761_n.jpg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
      <image:caption>Original Haus of Shmizzay post found here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331586141-WEPCQROEHO2V2M6Y0S7Q/IMG_2358.jpeg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
      <image:caption>Original Haus of Shmizzay post found here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331627821-RS4PTRM9KB8XO4P9BS8U/IMG_2357.jpeg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
      <image:caption>Original Haus of Shmizzay post found here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331639505-MLMVL1QDJ9L3N48B4KXX/IMG_2359.jpeg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
      <image:caption>Original Haus of Shmizzay post found here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331611653-M6JC9A76A2VWE62SGWET/IMG_2361.jpeg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1719331654618-VM328DUZ01DKWZ912NMK/IMG_2360.jpeg</image:loc>
      <image:title>OI Insights - Opera Disrupter: Haus of Shmizzay</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/meet-karen-nimereala-opera-innovator</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/0a43d873-f49f-4052-94b7-a0d07447a390/Karen+2013.jpg</image:loc>
      <image:title>OI Insights - Karen Nimereala, Opera Innovator - Make it stand out</image:title>
      <image:caption>Voice Teacher Karen Nimereala (from Francois Hanss’ Timeless 2013 Le Film)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/oi-interview-david-lomeli-bolero-tech-ceo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/c9024c76-07d2-407a-bd71-458ee3de1208/IMG_1367.jpg</image:loc>
      <image:title>OI Insights - OI Interview | David Lomeli, Bolero Tech CEO - Make it stand out</image:title>
      <image:caption>Bolero Tech CEO David Lomeli | Opera Latino America Conference, Manaus, Amazonas, Brazil (May 17, 2023).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/oi-interview-emma-scherer-santa-fe-symphonys-executive-director</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/cb4dabd7-c3f0-4019-8bed-b41f82a821d2/Emma+Scherer+Headshot.jpg</image:loc>
      <image:title>OI Insights - OI Interview | Emma Scherer, Santa Fe Symphony's Executive Director - Make it stand out</image:title>
      <image:caption>Emma Scherer, Executive Director, Santa Fe Symphony.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/chatting-with-opera-omahas-allison-swenson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/53794e12-e1e9-48da-9875-7fd2e5d17a69/swenson-curtis-brown-headshot.jpg</image:loc>
      <image:title>OI Insights - OI Interview | Allison Swenson, Opera Omaha’s New General Director - Allison Swenson</image:title>
      <image:caption>Opera Omaha General Director</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/oi-interview-operabase-ceo-ulrike-kstinger</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1677468669292-MC2IOI3Z3D06YKB5H83I/image00002.jpg</image:loc>
      <image:title>OI Insights - OI Interview | Operabase CEO Ulrike Köstinger - Make it stand out</image:title>
      <image:caption>Arts Consolidated/Operabase CEO Ulrike Köstinger. Read the OperaWire story. Photo credit: Operabase</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/when-indochine-pop-rocked-with-phillipe-jaroussky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-17</lastmod>
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  <url>
    <loc>https://www.operainnovation.com/oi-insights/the-bridge-between-virtual-and-live-performance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/2478b434-eadb-452d-9de6-086d4f707c62/Maria-Rosario-Jackson-hires.jpg</image:loc>
      <image:title>OI Insights - Monocle 24 Interview: Dr. Maria Rosario Jackson, NEA Chair - Make it stand out</image:title>
      <image:caption>Dr. Maria Rosario Jackson, National Endowment of the Arts Chair.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/has-central-city-opera-lost-the-plot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/d40433f4-f6a9-407b-902c-32e9310345b0/WATCH%3A+LA-based+opera+singer+Babatunde+Akinboboye+weighs+in+on+the+AGMA%2FCCO+impasse.</image:loc>
      <image:title>OI Insights - Has Central City Opera Lost The Plot? - Make it stand out</image:title>
      <image:caption>WATCH: LA-based opera singer Babatunde Akinboboye weighs in on the AGMA/CCO impasse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/18528f1b-baa7-4674-971c-21ce3279c113/Screen%2BShot%2B2023-01-06%2Bat%2B7.05.20%2BPM.jpg</image:loc>
      <image:title>OI Insights - Has Central City Opera Lost The Plot? - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/qampa-artist-managers-share-insights-brand-ethos-and-unique-how-to</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/62b52d82-ae3a-488e-b571-3e7cafe91b1e/GettyImages-1227412970.jpeg</image:loc>
      <image:title>OI Insights - Q&amp;amp;A: Artist Managers Share Insights, Brand Ethos and Unique How-To - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/3e2a6749-420e-40a1-9178-45572971da0d/About_Us_Miguel_Full_Size_1200.jpeg</image:loc>
      <image:title>OI Insights - Q&amp;amp;A: Artist Managers Share Insights, Brand Ethos and Unique How-To - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/9fb37526-760d-42ca-b42a-e2cfa4fc0f92/f2b22b_dedadae2950b473cbef33d043a9f693f_mv2.jpeg</image:loc>
      <image:title>OI Insights - Q&amp;amp;A: Artist Managers Share Insights, Brand Ethos and Unique How-To - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/when-henry-klaus-hans-and-faithless-went-clubbing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/opera-has-an-access-problem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1cfe78c7-3582-4ea7-a1d7-db2dfecd9dd0/360DDCAF-0FA2-4EE0-BF38-A7AF22BA2721.jpg</image:loc>
      <image:title>OI Insights - Opinion: Opera Has An Access Problem - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/claudillea-breaking-operas-rule</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1674840553778-PBJHZ8EOWL96AB1C9XOH/claudillea%2Bhero%2Bimage.jpeg</image:loc>
      <image:title>OI Insights - Breaking Opera's Rules | OI Insights Q&amp;amp;A with Claudillea - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/the-five-podcasts-you-need-right-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/ae2b72a3-4c2c-4e9f-b9cd-8cd1b59d4ee0/87499.jpg</image:loc>
      <image:title>OI Insights - OI Insights | 6  Podcasts You Need Right Now</image:title>
      <image:caption>Clockwise: Pivot with Kara Swisher and Scott Galloway; What’s the Team with ACP, hosted by Elliott Paige; Monocle on Saturday hosted by Georgina Godwin; Santa Fe Opera’s Key Change, hosted by Andrea Fineberg</image:caption>
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  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/opera-innovation-playlist-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-27</lastmod>
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  <url>
    <loc>https://www.operainnovation.com/oi-insights/scenic-designer-leslie-travers-qampa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-04</lastmod>
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      <image:title>OI Insights - Q&amp;amp;A with Award-winning Scenic and Costume Designer Leslie Travers</image:title>
      <image:caption>“Work in progress in the studio. #design #theatre” | Follow Leslie Travers on Twitter.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/efd8da38-f89b-4a85-9083-b8b0d1a4c1fc/Leslie%2BLinkedIn%2BPortrait.jpg</image:loc>
      <image:title>OI Insights - Q&amp;amp;A with Award-winning Scenic and Costume Designer Leslie Travers</image:title>
      <image:caption>Award-winning Scenic and Costume Designer Leslie Travers. Photo via Linkedin.</image:caption>
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  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/2021/03/15/american-lyric-theater-champions-diversity-and-representation-with-signature-composer-librettist-development-program</loc>
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    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
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      <image:title>OI Insights - American Lyric Theater Champions Diversity and Representation with Signature Opera Writers Program - Make it stand out</image:title>
      <image:caption>Composer Anthony Davis</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/849537f5-d864-4c8c-9e94-9773279242e1/image002.png</image:loc>
      <image:title>OI Insights - American Lyric Theater Champions Diversity and Representation with Signature Opera Writers Program - Make it stand out</image:title>
      <image:caption>From February 27 through April 24, American Lyric Theater conducts a free, eight-week, virtual symposium on writing for the opera stage. The CLDP Opera Writers Symposium will provide artists with practical tools for both first-time and experienced creatives with an interest in creating new opera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/799bf09f-eeda-49cb-b73d-05774cfa518d/Copy%2Bof%2BKellyKuo.jpg</image:loc>
      <image:title>OI Insights - American Lyric Theater Champions Diversity and Representation with Signature Opera Writers Program - Make it stand out</image:title>
      <image:caption>ALT Associate Artistic Director Kelly Kuo</image:caption>
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  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/2021/03/11/2021-3-3-why-santa-fes-new-five-star-hire-is-seismic</loc>
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    <lastmod>2023-02-21</lastmod>
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      <image:title>OI Insights - Why Santa Fe Opera’s New Hire is Seismically Good News - Santa Fe Opera Appoints Chief Artistic Officer</image:title>
      <image:caption>By Mark Tiarks for The New Mexican (13FEB2021) Read The New Mexican Story</image:caption>
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  </url>
  <url>
    <loc>https://www.operainnovation.com/oi-insights/opera-innovator-grammy-winning-librettist-mark-campbell-keeps-it-moving-during-the-pandemic</loc>
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    <lastmod>2023-02-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/2183b376-ef5f-41e9-9c56-61234f691eea/Mark%2BCampbell%2B2%2Blatest.jpg</image:loc>
      <image:title>OI Insights - Opera Innovator: Grammy-Winning Librettist Mark Campbell Keeps Creating in the New Now - Make it stand out</image:title>
      <image:caption>Librettist Mark Campbell, photographed on Fire Island, New York.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/b9d0170b-0ddf-47f4-962d-3f5bb824fca0/Matthew%2BRicketts%2BMark%2BCampbell%2Bblog.jpg</image:loc>
      <image:title>OI Insights - Opera Innovator: Grammy-Winning Librettist Mark Campbell Keeps Creating in the New Now - Make it stand out</image:title>
      <image:caption>Composer Matthew Ricketts. Photo credit: Michael Kuhn</image:caption>
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    <image:image>
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      <image:title>OI Insights - Opera Innovator: Grammy-Winning Librettist Mark Campbell Keeps Creating in the New Now - Make it stand out</image:title>
      <image:caption>Composer Paul Moravec and Mark Campbell worked for three years to adapt Stephen King's The Shining. Photo credit: Euan Kerr | MPR News (2016)</image:caption>
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    <image:image>
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      <image:title>OI Insights - Opera Innovator: Grammy-Winning Librettist Mark Campbell Keeps Creating in the New Now - Make it stand out</image:title>
      <image:caption>Composer Kamala Sankaram.</image:caption>
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  </url>
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    <loc>https://www.operainnovation.com/oi-insights/opera-nabi-qampa-la-based-startup</loc>
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    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
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      <image:title>OI Insights - Opera Nabi Q&amp;amp;A: LA-Based Startup Where Anime, Opera &amp;amp; Stickers Meet, Beautifully - Make it stand out</image:title>
      <image:caption>Screenshot from Opera Nabi on Instagram.</image:caption>
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      <image:title>OI Insights - Opera Nabi Q&amp;amp;A: LA-Based Startup Where Anime, Opera &amp;amp; Stickers Meet, Beautifully - Make it stand out</image:title>
      <image:caption>Opera Nabi Founder Kristen Choi: “I was inspired to make these fun creations through the worlds of opera and music, with anime and Manga. So, if you have an interest in any of those subjects, this is the Etsy store for you!”</image:caption>
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  <url>
    <loc>https://www.operainnovation.com/oi-insights/an-opera-couple</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-22</lastmod>
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      <image:title>OI Insights - Letter from Berlin: Insignia Athlone Artists Power Forward in Europe - Make it stand out</image:title>
      <image:caption>Tenor Spencer Britten and Baritone Ian Burns in Berlin. Life partners with coveted spots on the newly-formed Insignia Athlone Artist Management roster, specifically built for the European market. Photo: Spencer Britten (2020)</image:caption>
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    <image:image>
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      <image:title>OI Insights - Letter from Berlin: Insignia Athlone Artists Power Forward in Europe - Make it stand out</image:title>
      <image:caption>The 2020-21 International Opera Studio of the Staatsoper Unter den Linden. Founded in November 2007, and under the direction of conductor, pianist and vocal coach Boris Anifantakis, The International Opera Studio “offers young, talented singers the possibility to prepare themselves for an artistically demanding career in opera and musical theatre. The overall artistic direction of the International Opera Studio is provided by Daniel Barenboim, whose primary concern is to provide continuing education and consistent support within the framework of the Staatsoper for the artistic development of promising young singers.” - Excerpted from Staatsoper Unter den Linden’s website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/01ff2324-828d-4f0d-968b-20b87109f137/SpencerIanAthlone.jpg</image:loc>
      <image:title>OI Insights - Letter from Berlin: Insignia Athlone Artists Power Forward in Europe - Make it stand out</image:title>
      <image:caption>Spencer and Ian on Athlone Street in Vancouver, British Columbia. Photo: Spencer Britten (2020)</image:caption>
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  </url>
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    <loc>https://www.operainnovation.com/oi-insights/hacking-opera-in-san-diego</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2023-02-22</lastmod>
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      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1677095973783-4AKS4K5USRRMOCA2K2NH/operhack2_classroomfromback.jpg</image:loc>
      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>The first Opera Hack was held at Microsoft Corporation’s San Diego Offices July 27-28, 2019. OPERA America hosted a webinar showcasing first hackathon winners on August, 2020. Opera Hack 2.0 is scheduled for 2021. Photo: Angel Mannion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/1677095938480-098FB12NFEN1B60IQEF4/OperaHack%2BBennett.jpg</image:loc>
      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>San Diego Opera General Director David Bennett, center right, talks to participants at the company’s two-day Opera Hack event on July 27-28, 2019, held at Microsoft Corporation’s offices in San Diego. Photo: Pam Kragen for The San Diego Union-Tribune.</image:caption>
    </image:image>
    <image:image>
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      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>Opera Hack’s Angel Mannion (left at podium) with Opera Hacker Ellen Fishman, a member of the Synctus (TM) team, July 27-28, 2019. Photo: San Diego Opera</image:caption>
    </image:image>
    <image:image>
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      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology</image:title>
      <image:caption>2019 Opera Hack-winning members of the Becoming team (left to right): John Burnette, Francesca Talenti, Shahrokh Yagdegari and Louis Pisha collaborate on their winning project, July 27-28, 2019. Photo: Angel Mannion</image:caption>
    </image:image>
    <image:image>
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      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology - Make it stand out</image:title>
      <image:caption>The San Diego Opera’s 2019 Opera Hack was held at Microsoft Corporation’s San Diego Offices on July 27-28, 2019. Photo: Angel Mannion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/63598a0999a6ce163e239eb7/8197a6ee-f375-423a-b2bd-ae7c73e04418/OperaHack%2BVR.jpg</image:loc>
      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology - Make it stand out</image:title>
      <image:caption>Ashley Tata, a multimedia theater and opera designer and director, uses a virtual reality headset during San Diego Opera’s Opera Hack event July 27-28, 2019 at Microsoft Corporation’s offices in San Diego. Photo via Opera Hack, as printed in a San Diego Union Tribune story by Pam Kragen (August 14, 2019).</image:caption>
    </image:image>
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      <image:title>OI Insights - San Diego's Opera Hack: Optimizing Opera’s Future with New Technology - Make it stand out</image:title>
      <image:caption>San Diego City Councilmember (District 1) Barbara Bry chatting with an Opera Hack participant. From her July 27, 2019 tweet.</image:caption>
    </image:image>
  </url>
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    <lastmod>2023-02-22</lastmod>
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      <image:caption>Duncan Holzhall’s “Voices of Tomorrow’s Songs” showcases frank business of opera interviews conducted during the pandemic. Published in August 2020 and now available via Amazon. Photos: Duncan Holzhall</image:caption>
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      <image:title>OI Insights - 5 Ways To Improve American Opera's Image, Perception and Reception - Make it stand out</image:title>
      <image:caption>Duncan Holzhall, Mya Lucille King and Karli Forte at Indiana University Jacobs School of Music (September 27. 2020). Photo: Duncan Holzhall on Instagram.</image:caption>
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